guglred.blogg.se - Gloria renderman

#GLORIA RENDERMAN DRIVER#
#GLORIA RENDERMAN FULL#
#GLORIA RENDERMAN SOFTWARE#

(At the Kino Gloria 2 Cinema – all morning till 1pm ) Speaking personally, Wednesday is all about Digital Humans. If you are not into AI,… thenTuesday has great lectures and talks such as Alita: Battle Angel by Nick Epstein from Weta, Aquaman from Gaery Wu and Rachael Dunk at ILM and Game of Thrones from Jenn Taylor at Image Engine. If you want to actually understand Deep Learning – dont miss his workshop on Tuesday 10:15 to 1pm. The New York Times wrote, “ Andrew Glassner of the most respected talents in the world of computer graphics research.” Andrew Glassner has carried out research at labs such as the NYIT Computer Graphics Lab, Xerox PARC, and Microsoft Research. His SIGGRAPH talk in 2018 was a highlight of the conference last year, and he has just been invited back for 2019 in August.

The headlining AI workshop is by Andrew Glassner. While day one has many great talks, the Tuesday, is dominated by Machine Learning and AI lectures.

#GLORIA RENDERMAN FULL#

The full program can be found here, but below are a few sessions that we will be attending and hopefully writing about here at fxguide and at Day 1: TUESDAY Andrew Glassner Andrew’s packed talk at SIGGRAPH 2018 Jon Wadelton, The Foundry UK CTO, and for senior compositors around the world, he was the face of NUKE for many years.Īnd that is just people we have interviews at fxguide in the last couple of years ! The full list is contains many more international VFX experts, supervisors, animators and technical gods! Some Highlights And Things To Not Miss.Justus Thies, Technical University of Munich and leading expert in AI driven digital humans.Dylan Sisson, Pixar ( RenderMan expert and one of the most entertaining and polished technical speakers in the industry).Sue Rowe, VFX supervisor from Sony Pictures Imageworks ( most recently, The MEG).

#GLORIA RENDERMAN SOFTWARE#

Jean-Francois Panisset, ex Psyop, ex Discreet and a leader in the creation of the ASWF.ĭoug Roble, Digital Domain. Senior Director of Software R&D and face of Digital Doug.

One of the world’s most talented shader writers.

Senior Stunt co-ordinator and his son, a virtual production expert. Marcus Nordenstam, Autodesk and key developer of Autodesk’s procedural Bifröst.

#GLORIA RENDERMAN DRIVER#

Epic have a host of presentations this year in real time and virtual production + David Morin (Epic Games and key driver in the Open Source community) Ian Hunter, Recent Oscar winner from New Deal Studios for First Man

Christophe Hery, Facebook Reality Labs, formerly of Pixar Animation Studios.

Andrew Glassner, Machine Learning pagan god (trust me he is a remarkable AI expert).

Florian Gellinger, RISE | Visual Effects Studios (RISE is also holding one of most anticipated parties this year).

Hugo Guerra, Senior Nuke Compositor and supervisor.

John Gaeta, Magic Leap (ex ILM) and VFX supervisor.

Paul Debevec, Google and USC ICT Lightstage pioneer.

Lucy Cooper, Head of Union VFX in London + Union’s Simon Hughes.

Doug Chiang, Lucasfilm. Academy Award-winning artist, author, and production designer.

Rob Bredow Head of ILM along with a host of other ILM senior staff such as Hal Hickel, Grady Cofer, and many more. Matt will be there, fresh from the world premiere of Avengers End Game (see above). The Weta Digital Team at the LA premiere of End Game (Including Matt Aitken centre)įor example, here is just a partial list of speakers this year: This sunny top floor vast room is home to a who’s who of Industry figures each year. One of the coolest places on the planet for deal making, technical discussions and connecting with peers is the speaker lounge of FMX. That might sound trite, but the depth of brilliant industry minds at FMX is exceptional. So what makes a conference so rewarding? The answer is the people. John Montgomery, being both smarter than me and a better traveller, did make the trip, and he was the first to flag just how much one gets out of attending it. I never used to be able to make it as I would attend NAB in Vegas, and its close proximity ruled out an almost immediate following trip to Europe. It is quite a trip and one I have done happily now for years as the FMX conference is one of the best VFX conferences. I am writing this from the Qantas Lounge in Melbourne, having just landed from Canberra on route to London and finally Germany for FMX.